|I love the movies. At my local theater they know me at the box office, at the snack bar, where my order rarely varies (popcorn and a medium soft drink, half Pepsi and half Diet Pepsi), and at the entrance to the cinemas, where the ticket taker in the wheelchair always asks after the wife and kids. If any of this strikes you as juvenile, all I can say is let’s hear it for arrested development. I love living those other lives for a while; I love those bright stories played out in the dark. And although my mental reach is longer than it was when I was 16, what I ask of the movies hasn’t changed much: Entertain me for a while. Touch my emotions without insulting my intelligence.
I saw more than 60 movies in 2004, and many entertained me hugely. I’ve
10. Red Lights This French import, a cautionary tale of one husband’s dark drive and lost soul, wins the Hitchcock award as the year’s creepiest film. It starts slow, then works its feverish way up your nerve endings to your brain and heart.
9. The Bourne Supremacy Okay, all that jumpy editing is a trick, but it’s a good trick. Bourne was the best action picture of the summer, and guess what? Matt Damon turns out to be the real deal.
8. Collateral The cinematography has a sleazy shot-on-tape look, but Jamie Foxx is terrific and Tom Cruise is a revelation as the wolfish antihero. No one has done film this noir since John Boorman made Point Blank, and that be many moon ago, podner.
7. The Incredibles Up until now, there’s been a sadness in Brad Bird’s best work – The Iron Giant (1999), of course, and The Plague Dogs (1982), where he served as one of the animators. In The Incredibles, sadness has been replaced by a sunny, raffish, generation-bridging
6. Shrek 2 There’s nothing you can tell childless adults who haven’t seen this (or The Incredibles) except ”Go.” Hunt up a spare kid to use as a beard if you must. Like Alice in Wonderland, the Shrek movies work on one level if you’re 6 and on an entirely different one if you’re 36. But explaining how spoils the joke. Just take it from me, okay? This sequel manages to be openhearted and satiric at the same time, which is the comedic equivalent of a triple axel. It’s The Godfather Part II of animation.
5. Harry Potter and the Prisoner of Azkaban makes the first two Potter pix look like Joe Camp Benji movies. Some of this has to do with how gracefully the young protagonists are growing up, more with Alfonso Cuarón’s dreamily gothic visuals.
4. Fahrenheit 9/11 I’m no Michael Moore fan, okay? I don’t buy that blue-collar-‘n’-ball-cap routine. But Moore’s a good documentary